The Zone is a project by Román Torre and Pablo DeSoto. It is the winning project in the 6th DKV – Álvarez Margaride Production Scholarship, organised by LABoral Art Center in conjunction with the DKV insurance company, and it was produced during a residency at Plataforma 0, LABoral’s production centre. It was exhibited from June 20 to October 21, 2018
The Zone is an interactive installation that presents, in a didactic way, some elements of the exclusion zone of Fukushima in Japan. It reflects about the Anthropocene/Capitalocene landscapes of our damaged planet. It takes its name from a real physical space, the exclusion zone established as a consequence of the Fukushima nuclear disaster in Japan.
The exclusion zone is the evacuated area as a result of the maximum level nuclear accident unleashed when the earthquake and the tsunami forces of March 11, 2011, collided with The Fukushima Daiichi nuclear power plant. 160.000 people were forced to leave their homes and workplaces in a matter of minutes when the containment buildings which contain four reactors, began to explode one after another, spreading their invisible radioactive particles into the environment. The area declared uninhabitable for humans comprises a geographical area of 800 square kilometres around the destroyed nuclear power station.
The Zone is also a metaphor that constructs the mythology of the present, warning us against dreams of technological progress turned into nightmares. The project explores the possibilities of art & cartography displays in understanding contemporary environmental disasters.
The project consists of four main parts: 1/ an outdoors installation, 2/ an interactive map, 3/ a workers area, 4/ a documentation area.
An outdoors installation occupy the public space at the entrance of LABoral Art Center. It consists of a deposit of radioactive bags evoking the storage facilities for contaminated soil from the nuclear crisis spread over all the ridges of Fukushima prefecture.
The main piece is an 80 square metres interactive map. The map is projected on the floor allowing the visitors to walk on the top of it. Five digitally fabricated objects on its surface, when approached by the visitor, activate a specific story. These stories include 1/ the earthquake and tsunami, 2/ the multiple nuclear reactor meltdowns, 3/ the evacuation of the population, 4/ the first journalist to get into the Exclusion Zone, and 5/ the citizen science as a response to the radiological disaster.
The workers’ area is a tribute to the thousands of workers, mostly subcontract ones, who enter Fukushima Daiichi Nuclear Power Plant everyday or work in the decontamination brigades. It includes a Geiger Counter developed by Safecast, a citizen science community established in Japan as a response to the nuclear disaster.
The documentation area includes books, reports, photos and academic papers on the Fukushima Daiichi nuclear disaster. It additionally includes resources from primary sources collected in Japan between November 2011 and February 2012. Selected Academic Papers are organised into six main categories: Social Movements, Citizen Science, Philosophy, Ecosystems, Activism, Workers and Public Health.
Media Coverage Links
- Una instalación inmersiva sobre el accidente nuclear de Fukushima gana la VI edición de la Beca DKV Seguros-Álvarez Margaride
- LABoral Centro de Arte inaugura la muestra LA ZONA, una instalación interactiva sobre el accidente nuclear de Fukushima
- LABoral Centro de Arte acoge la muestra ‘La Zona’
- En la zona de exclusión de Fukushima
- Laboral expone instalación interactiva sobre accidente nuclear de Fukushima
- La revolución sin bunker, crítica de arte por Jaime Luis Martin.
- El paraiso natural que nos envenena cada día, por Patricia Simón.
- LA ZONA: los datos del desastre en Fukushima.
- An interactive installation by Román Torre + Pablo DeSoto